O amor natural

O amor natural goes beyond the binary codes of yes and no and explores consent in all its non-verbal richness: whispers, body temperature, breathing, gaze and speed of movement weave a web of intimacy. The concept of consent raises many questions about care practices, but also about sexual and artistic practices. How do we know and how do we communicate what we do and do not want? On what basis can we consent to a practice that is still foreign to us?

For disabled people, touch is often associated with a medical act, as if their bodies are objects to be manipulated and moved without regard to their physical and emotional needs, in a relationship that is necessarily devoid of any sensuality. O amor natural is about giving ourselves the chance to express the complexity of touch.

Andrew Graham sums it up this way: "Care, romance, fluid identity and fantasy all come together in this choreographic creation, conceived as a series of non-verbal haikus. Poems choreographed around touch and the possible relationships of trust between bodies such as the tension between two bodies, two hearts in a tango, for example." The keywords in this physical creation are desire, love, pleasure, consent.

Over the course of his choreographic work with a variety of audiences, including disabled people, LGBTQIA+ individuals, migrants, older people and professional artists, Andrew Graham has repeatedly witnessed a relational need and the lack of contact that leads some people to dance. "I realised," says the choreographer, "that the presence, proximity and availability of other bodies can be a response to this need and is a motivation to dance. Dance then becomes an emancipated environment that can respond to our needs and intentions."

Six performers are at the heart of the show: Hamza Damra, Tijen Lawton, Isnelle Da Silveira, Wim Auwerx, Vladimir Perrin and Maarten Degezelle. The cast brings together different worlds in terms of age, (in)visible disability, ethnicity, libertine or conservative minds, experience with dance and inclusive practices.

Steven Prengels, composer of Gardenia, En avant, marche!, Nicht schlafen, Mein Gent and Ombra by Alain Platel, is responsible for the soundscape of O amor natural.